The Creative Side and Message Strategy
The Art and Science of
Creative Advertising
• The ROI of effective advertising
– Relevant, original, and has impact
• The Big Idea
– Implements the advertising strategy so that the message is both attention getting and memorable
• The Creative Leap
– Jumping from the strategy statement to an original idea that conveys the strategy in an interesting way
Creative Thinking
• Free association
– Creates the juxtaposition of two seemingly unrelated thoughts
• Divergent thinking
– Uses exploration to search for all possible alternatives
• Analogies and metaphors
– Used to see new patterns or relationships
• Right-brain thinking
– Intuitive, nonverbal, and emotion-based thinking
Creative Thinking
• Creative Roles
– Copywriters and art directors develop the creative concept and draft the execution of the advertising idea
• The Creative Person
– In advertising, creativity is both a job description and a goal
Creative Characteristics
• Problem solving
• Ability to visualize
• Openness to new experiences
• Conceptual thinking
Steps and Stages
• Immersion
• Ideation
• Brainfog
• Incubation
• Illumination
• Evaluation
Creative Strategy
• Where the art and science of advertising come together
• A Big Idea must be
– Creative
– Strategic
• Creative strategy
– What the advertisement says
– Also called message strategy
• Creative execution
– How it is said
Message Objectives
• Perception: create attention, awareness, interest, recognition, and recall
• Cognitive: deliver information and understanding
• Affective: touch emotions and create feelings
• Persuasion: change attitudes, create conviction and preference
• Transformation: establish brand identity and associations
• Behavior: stimulate some form of action
Head and Heart Strategies
• Two basic approaches to translating message objectives into strategy
• Hard- and Soft-Sell strategies
– Hard Sell: touches the mind and creates a response based on logic
– Soft Sell: uses emotional appeals or images to create a response
Head and Heart Strategies
• Most advertising messages use a combination of two basic literary techniques to reach the head or the heart of the consumer
• Lectures and Dramas
– Lecture: a serious instruction given verbally
– Drama: relies on the viewer to make inferences
Facets of Creative Strategy
Drive Perception
• Attention and awareness
• Interest
• Memory
Drive Cognition
• These messages get consumers to learn about products by focusing on a product’s features
Facets of Creative Strategy
Touch Emotions
• Highlight psychological attraction of the product to the target audience through emotional responses
Persuade
• Appeal
• Selling premises
• Conviction
Facets of Creative Strategy
Transform Product
• Branding
• Image advertising is used to create a representation in the customer’s mind
• Associations
Drive Action
• A signature that serves to identify the company or brand
• Also serves as a call to action if it gives direction to the consumer about how to respond
Message Approaches
• Straightforward
• Demonstration
• Comparison
• Problem solving/Problem avoidance
• Humor
• Slice of Life
• Spokesperson
• Teasers
• Shockvertising
Planning and Managing
Creative Strategy
• Creative brief
– Prepared by the account planner, summarizes the marketing and advertising strategy
– Vary in format, but must combine basic strategy decisions
Strategy Decisions
• The problem
• The objectives
• The target market
• Positioning strategy
• Type of creative strategy
• Selling premise
• Execution suggestions
Planning and Managing Creative Strategy
• Message execution
– The form in which the ad’s message is presented
• Message tone
– Reflects the emotion or attitude behind the ad
• Global campaigns
– Require ad work that addresses advertising objectives and reflects the positioning strategy
– Usually desirable to adapt the creative execution to the local market
The Go/No-Go Decision
• Assess the effectiveness of the ad’s creative features
– Structural analysis
– Copy testing